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I sit on a bench and look ahead.
I am immersed in thoughts.
A car passes, the air moves
and suddenly a scene opens up, one
I hadn't seen before.
Tiny droplets appear on a spider web, small beads.
Through one of them,
I see a fine web strand
and I draw closer.
I want to be even closer.
The capillaries are almost invisible.
I touch, I do not feel.
Yet everything reacts.
The drop slides silently
and I perceive it more than my own touch.
I watch them longer.
I move from one to another,
from shape to shape.
Some resemble fishing nets.
I cut, I weigh, I dissolve.
0.5 g of fishing line in 3 ml of hexafluoropropanol
and 2 ml of dichloromethane.
I record, I observe the transformation.
I travel – train, car, bus, train again.
I arrive with organza in my hand
and take it apart into individual fibers.
In the air, they slow down,
as if they felt every movement around them.
I handle them with care.
They react to light as well
and their movement slows me down too.
But when something disturbs them,
they merge into a single solid thread.
They change their nature
and never return to their original fragility.
I search for what is left of them.
If I choose only one hair, the delicacy multiplies.
I see it only in reflections,
I almost lose my sight.
I must catch it and thread it through the opening.
At the ends, I create small handles and string a bead.
With my fingertips, index finger and thumb,
I tension the thread.
It begins to spin along with the drop.
I stop and watch.
Once again, I observe the transformation.